A Real Life Fairy Tale After All?

Throw your TV in the bin today and check out these links instead!

Sources and related links (youtube)

Invisible Empire – A New World Order Defined

Problem – Reaction – Solution

Psychologists help 9/11 truth deniers

American Detention Has Nothing to do with the War on Terror

What Transformed the WTC Buildings to DUST on 9/11?

Dr. Judy Wood – Where Did the Towers Go?

Bush, Blair found guilty of war crimes in Malaysia tribunal

Corbett Report confronts Bohemian Grove member

Bush, Cheney, PNAC, & The Criminal Conspiracy To Invade Iraq

Good is Evil

9/11: A Conspiracy Theory

9/11 Inside Job: Ten Years Later

ZERO An Investigation Into 9/11 (FULL documentary)

Deformed Fallujah Babies Because of DU

Remember Building 7 10th Anniversary TV Ad

Even The Troops Are Waking Up

Age of Manipulation – Michael Tsarion

FreemanTV – Program To Chaos – Oct. 5, 2006

The Entertainment Industry Exposed

The Last Word on Osama Bin Laden

Statism is Dead – Terrorism, 9/11 and Politics

The Last Word on Terrorism

Libya and Imperialism: Dan Glazebrook, Lizzie Phelan, Harpal Brar (EN, FR, PT)

Media collusion with Bilderberg Group confirms hidden agenda Gerard Batten MEP

And finally, if you want to watch the ballet remix version of this video……

Sleeping Beauty: Rose Adagio (Viviana Durante, Royal Ballet 1994)

What is Princess / Warrior Programming?

In the following video Freeman and Jamie discuss ‘Princess / Warrior Programming’ during an interview with Wash Your Brain.

Watch the whole discussion here

Related posts….

Surrender! We Have Your Children Surrounded…

Killing Us Softly – The Negitive Effects of Advertising (video) 

The Fierce Face of the Feminine – Chameli Ardagh (video)

The Fierce Face of the Feminine – Chameli Ardagh (video)

In this talk Chameli Ardagh speaks on how to allow for a natural response towards injustice, without creating more hurt, how to embody the power and beauty of feminine rage, why we are called to step up and give voice to the power of the fierce feminine, and how anger is not intrinsically negative.

Chameli also shows how an ancient goddess archetype of the fierce aspects of the feminine are highly relevant and illuminating for women and girls today.

After watching Chameli’s take on femininity and its potential, consider how femininity is promoted to girls and young women by the entertainment industry through its (largely manufactured) female icons. Pictured below are Rihanna, Beyonce, Lady GaGa, Fergie and Christina Aguilera.

And while you look at the following images, think how would you describe the type of femininity depicted by these female role models?

Is it even female?

Is it even human?

(the inclusion of images of hyenas will make more sense once you’ve watched the video above)



We know that in terms of content and symbolism, nothing in gets into modern big name music videos and stage shows by accident. In this respect music videos are no different to TV commercials. Everything is put there deliberately to promote some kind of message, behaviour, attitude, brand, product or mindset.

These heavily marketed (and thus heavily idolized) young women are being used to sell more than just ‘music’ and ‘fashion’. They are selling complex (although often nonsensical and contradictory) social, spiritual, philosophical and political ideas.


There was a time not long ago when women were not allowed to vote, discouraged from thinking about world affairs and trained to serve men.

As women have gained more rights in society and become more free to express themselves and have a voice in public, one might reasonably expect their natural (and naturally fierce) mother instincts to have had more of an effect on the previously male dominated world. Yet here we still are in a predatory/ parasitic world ruled by violence, surrounded by ‘never ending wars’ and with poor, starving and dying children the world over.

How ‘fortunate’ it is then for those war mongering (mass murdering) men in power, that stretching as far back as Marilyn Monroe, every popular female role model marketed to young girls has helped to steer women in a direction completely detached from – and even in opposition to – mother instincts, feminine power and even nature itself.

Coincidence? …… What do you think?

Now that this information age is enabling women (and men) to educate themselves about some of the true horrors going on in this world, we see any expressions of fierce femininity – even the very idea of it – now mocked and subverted into a tangled mass of non-sense by the ‘culture creators’ of the corporate mass entertainment industry.

In these times of perpetual war (of both terror and occupation) and of rampant corporatism (corporate fascism) a fierce woman is defined for us as a woman in stilettos and a bikini holding a gun. A crazy (but still sexy) bitch – still objectified, but perhaps a little more ‘ironically’ – and now toting a gun, riding a tank or getting sexually aroused in a war zone.

This is because if girls can be brought up to accept this ‘crazy bitch’ programming – and embrace it themselves – then they will more readily accept and embrace the ‘insane corporate fascist’ world around them too. The two complement each other very well. Do you see how it works?

See if you can spot the following in this video:

  • subliminal messages
  • not so subliminal messages
  • cognitive dissonance (mixed and contradictory messages)
  • war and police state  glorification and ‘sexification’
  • occult symbolism
  • the final gesture made by all the women to the men

While young girls learn how to ’empower’ themselves by idolising acts like Beyonce (who’s now even been given an ‘alter ego’ called ‘Sasha Fierce‘), Beyonce herself is shuffled around the globe by her handlers to entertain anyone willing to cough up a couple of million.

Without doubt women do have a louder voice in society today….

… but is it their own?!

For more information on predictive programming and desensitisation

via popular entertainments watch the video series

 Entertainment Does Not Exist

For more images of all your favourite pop and fashion icons check out the


‘Telephoning’ Lady GaGa to tell her she’s a bit of a hypocrite

More GaGa failness.

Watch this clip first…

That was actually me ‘telephoning’ Lady GaGa to call her a hypocrite.


For saying she wants to meet with Obama to help fight bullying after appearing in videos that depict bullying within a distinctly casual, sexualized and fashionable context.

OK so I admit it only glamorizes bullying ‘a bit’.

But then again…… that video has been viewed over 120,000,000 times on youtube alone. That’s a lot of susceptible little minds (many of whom worship everything GaGa promotes).

And we do know that 30 second clips of ‘social programming’ do have a big effect on the attitudes and behaviour patterns of modern societies. It’s called ‘advertising’ and it’s a multi billion dollar industry (because it works so well on us).

Full story here courtesy of billboard (extract below)

WASHINGTON (AP) – Lady Gaga wants to meet with President Barack Obama about her concerns over bullying.

Gaga expressed sadness over Twitter Wednesday about the suicide death of a 14-year-old New York boy who had complained in an online video about being bullied over his sexuality.

The pop singer tweeted to her 13.7 million followers: “I am meeting with our President. I will not stop fighting. This must end.”

The White House held a conference on bullying prevention in March to discuss bullying, estimating that it affects 13 million students, or about a third of those attending school.

Obama said then he hoped to “dispel the myth that bullying is just a harmless rite of passage or an inevitable part of growing up. It’s not.”

(Speaking of hypocrites…)

Watch more videos by Stefan Molyneux at his youtube channel and visit his website here

Message to Nathan Eccleston: Yes we do champion social networks for giving people a way to exercise their right to freedom of speech in a democracy, however, in practice please don’t actually express any opinions – just talk about what you had for breakfast and stuff like that

Nathan Eccleston is a professional footballer who plays for Liverpool FC.

This is the tweet he wrote about 9/11 a few days ago which had to be removed and is currently under investigation:

R.I.P all 9-11 victims my thoughts are with their family’s and all those that was affected by this tragic accident!

I ain’t going to say attack don’t let the media make u believe that was terrorist that did it. #OTIS.

(OTIS apparently stands for Only the Illuminati Succeed)

Here is the full story according to the BBC….

This is a made up example of the sort of tweet which is generally considered

acceptable for grown ups to write in this modern age.

OMFG! no proper milk for breakfast hving to use UHT eeewww! Wkd night last night proper hangover now tho. laters!

And this, ladies and gentlemen, is the official story of 9/11

which Mr Eccleston has expressed some doubts about.

Any questions?

(if so go here)

The End

Great! And now that that’s all cleared up, you can all now run along like good little children and go back to talking about your sports games at every spare moment of your waking lives.

After all, that is why we provide you with 24/7 sports entertainment distractions…

… to stop you being passionate about truth, freedom, your family and your children’s future and instead only ever be passionate about goals, transfers and referees’ decisions. (clever aren’t we!)

It’s Official! – Aggressive Marketing is the New Consumer Power

Brand GaGa is in the news again, this time for the new album which is destined to set new records for being the most aggressively and ruthlessly marketed album of all time. This aggressive marketing campaign includes:

  • appearing on numerous magazine covers, from Rolling Stone to Vogue
  • appearing on every high profile show known to mankind, from Oprah Winfrey to ‘American Idol’ to ‘Saturday Night Live’, as well as her own HBO concert special.
  • Starbucks selling her album as well as launching a ‘digital scavenger hunt’ for Gaga-inspired goods
  • Google Chrome airing a commercial with Gaga with a track from the album (see video below)
  • the online fashion outlet Gilt Groupe partnering with Gaga to offer Gaga-inspired clothing and VIP performances
  • Best Buy is giving away the album to anyone who purchases a mobile phone with a contract
  • Zynga, creator of the popular online game ‘FarmVille’, creating ‘GagaVille’ which allows fans access to exclusive Gaga songs
  • Amazon selling ‘Born This Way’ for just 99 cents as a promotion for their new music cloud service (creating a demand so strong it disrupted the online retailing giant’s servers for a time)
  • Disney Mobile Tapulous game ‘Tap Tap Revenge’ giving fans access to the entire album and other content if they buy the game,’Born This Way Revenge’, for $4.99. It’s the first time Tapulous has put out 17 tracks with a game for that price

The seamless integration, and now full on merging, of pop music with big business is fast becoming the new model for both which will presumably result in them eventually become one and the same. And as you can see from this advert, apparently we’re all absolutely lovin’ it.

In addition, the corporate mass media is also telling us that such synergy can only be a good thing. But of course they would say that. They are just as much a part of the whole arts-merges-with-big-business agenda as anyone else. In fact the whole process heavily relies on a mainstream media willing to promote such a corporate culture ie based on marketing (money) rather than art. The mass media is, after all, owned and controlled by about six corporations in the US. And by generally supporting and hyping a select few ‘industry chosen’ acts like GaGa, as well as downplaying the importance of other (perhaps far more talented, original and interesting) artists, they can ensure that brands like GaGa appear to be the hottest thing around by miles… which if course (after appearing on every TV show and on the front cover of everything) they inevitably become.

These hyped acts’ enormous fame and artificially generated celebrity status then becomes their most interesting feature for most people. Their celebrity status (ie our irrational obsession with them) actually generates far more interest than their music or personality alone is capable of generating. (EXAMPLE: if I pay fifty people to crowd around me in a public space pointing at me with mouths open and taking pictures with their phones then that will immediately attract another hundred or more people to start swarming around me. I won’t have to actually do anything).

As a reward for helping the music industry build up its narrow range of pop products the mainstream media (and its advertisers) end up with a bunch of manufactured A-list celebs guaranteed to attract viewers, shift magazines or generate web hits.

But this is about more than just aggressive marketing. We are seeing popular culture being redefined as no more than a tool of corporate advertising. This would be fine if it were being done more honestly, but of course it isn’t. Instead the illusion is maintained that the music and the ‘artist’ are both still authentic even though in reality they are acting as little more than advertising jingles and paid sales reps. This illusion is important to maintain amongst the herd because the whole point is to transfer that illusion of authenticity and ‘cool’ to the product or service being advertised.

The most unfortunate aspect of all of this becomes apparent when you ask the question: how is a kid who has been brought up on a diet of this kind of grotesque manipulative inauthentic culture going to care for anything any more real and authentic?

They won’t know any different. Look at kids today – a lot of them really don’t. (But thankfully some do).

The end result is a youth culture made up of a bunch of totally inauthentic entertainment acts which are all totally corporate friendly and corporate loyal, but promoted to the masses by the music industry and the corporate mass media (and by the acts themselves of course) as if they were the most authentic artists out there.

A lot of people get hung up on swearing, guns, half naked dancers etc in pop music. But that’s kind of missing the point – the more important point being that the whole thing is totally inauthentic. It is contrived. It is created by the most cynical people on this planet and then packaged and sold to the pubic – including children – as if it were the most authentic thing, as if it were real, as if it were all part of some natural artistic/ musical / creative process.

That’s got to be the most damaging thing imaginable, not just to the individual but to society. It means everything that comes out of popular culture (identity, behaviour, relationships, fashion, language, fads, trends etc) has its roots in a contrived cesspit of inauthenticity. It’s a total mind-phuck for anyone brought up on it who can’t seeing it for what it is. It’s pure Truman Show in musical form.

Thankfully you don’t have to dig too deep or think too hard to get past the whole glossy illusion. For all their ‘outrageousness’ most of the acts that are promoted today (the ones given all the media exposure and all the industry awards) are already totally corporate friendly. They all promote consumerism, materialistic drives and owning branded ‘stuff’ (cars, clothes etc) as the only route to identity, free expression and self worth. None of them promote any kind of unique message, philosophy, or even the act of critical thinking at all! And NONE of them ever mention, let alone question, let alone challenge the status quo of the current corporate / establishment ideologies, the current wars, politics, laws, rights, freedoms, causes or indeed anything. Not in any way. All they do is  promote consumerism. AKA corporatism. That’s it.

Their job (with or without any additional in-your-face marketing partnerships) is to make consumerism/ corporatism ‘cool’ and turn worshipping the culture of consumerism/ corporatism into the new godless religion for the dumbed down masses.

There was a time, not that long ago, when if the corporate mass media or some faceless coffee franchise said an artist was cool it meant they were actually very uncool. But now more than ever we let them tell us what music to like, and consume.

There was a time when letting corporations use your music to sell totally unrelated stuff was a big no no – that is if you wanted to retain any credibility whatsoever. But now apparently it’s all perfectly acceptable and even something to be celebrated without even questioning.

There was a time when a cool artist ‘selling out’ spelled the end of a career in music, at least one where you are regarded as a credible artist. But now selling out is regarded as the thing which defines the beginning of a career.  Selling out is what you have to do today in order to become what’s known today as an ‘artist’. Today we call ‘selling out’ being a ‘fame monster’ and with this subtle rebranding we now regard such behaviour as the height of cool.

There was a time when manufactured bands were frowned upon and ridiculed and putting together manufactured ‘boy/ girl bands’ was something which the industry did in secret. But now they make TV shows about it and we all clap and cheer as the would be sell outs (fame monsters) are harshly assessed for their potential commercial value by ruthless music industry millionaire talent scouts (now professionally packaged as celebs in their own right) before being either rejected or chosen and immediately put through a ‘boot camp’ so that their image and public persona can be expertly altered and made ‘acceptable’ according to the industry regulated standards on cultural homogenization.

It is interesting to note that the merging of the state with private corporations into one giant ruthless machine-like apparatus is one of the core definitions of fascism.

What then are we to call the merging of the arts with private corporations into one giant ruthless machine-like apparatus?

We are to call it ‘entertainment’ of course! – Yes Sir!

No but seriously, those are the rules. We must call it entertainment and we must enjoy it, consume it and in doing so embody its cultural and social messages.

Look, don’t listen to me. Listen to Amy Palmer, senior editor with ‘In Touch Weekly’ as she talks about how this whole corporate advertising carpet GaGa bombing ‘shock and awe’ campaign is clear evidence that these days – like obviously – the consumer has the power”.

Wrap your little monster minds around her stunning take on reality during MSNBC’s Today program in one of those cosy little TV moments best described as:

‘… just you sit back and relax and let us do all the thinking about this subject on your behalf, and in the style of a completely natural and friendly conversation full of ideas and assertions that sound completely reasonable, provided you’re not paying too much attention or thinking too hard which, of course, you won’t be because you’re watching television …’

Or Watch it here

Transcription provided, for your line by line analytical pleasure:

Alex Witt: A new AP article says Lady GaGa’s landmark blitz from her new album ‘Born This way’ could change the face of music. Let’s get the details with Amy Palmer, senior editor with ‘In Touch Weekly’. Good morning.

Amy Palmer (senior editor with ‘In Touch Weekly’): Good morning Alex.

AW: I can never take my eyes off Lady GaGa when she’s anywhere – She’s riveting…

AP: She’s fascinating, so fascinating

AW: She is.

AP: She is so herself and I think that’s the beauty of GaGa and she really has this amazing message. But in terms of changing the music industry, what she’s doing is she’s going to the consumer. The music industry is no longer linear. It used to be, you had an album, you went to radio, you tried to get radio to play it and they decided ‘OK this is a hit’. Now the consumer has the power. So what Lady GaGa is doing with her team is they’re going to Starbucks. They’re playing the album in Starbucks. They’re going to Amazon. Amazon is offering the album for 99 cents. Google Chrome – I don’t know if you’ve seen this commercial – she’s now the face of Google Chrome. And it’s an amazing commercial because it has Lady GaGa’s new song merged with the Google Chrome emblum and it really shows that these brands are coming together. And I think it’s really touching consumers in a way that’s bringing awareness to Google Chrome and also GaGa’s album.

AW: You know what – you talk about the authenticity of GaGa and last night I happened to be channel surfing and I saw a one hour documentary that was recently done because she had the black and white hair and the black mole – it’s one of her recent looks – and it was talking about Lady GaGa on the outside …. inside on the outside….

AP: It’s an MTV special…

AW: Exactly! And she is so real there. But I thought for a moment ‘Uh Oh!’ we’re going to get a little bit of over exposure and yet for some reason I don’t instinctively think that’s going to be a problem for her.

AP: It’s not because she’s really authentic. I mean she’s a breath of fresh air and you know in the past with music we’ve seen so much autotunes – auto syncing with these artists. Are they really singing? Are they really talented? With GaGa you know she has an amazing voice and she’s so unique and if you follow her story – I mean she’s just a girl from New York City who had a dream.

Aw: Yonkers!

AP: She’s twenty five years old and she’s brilliant because she ‘gets it’. And that’s why she uses social media to reach her fans. That’s why she’s using these companies in a way that’s different than has ever been done before – I mean Starbucks, the gilt groupe which is an online fashion destination, they had a ‘GaGa day’ where everything was inspired by her. She’s understanding where the consumers are at and then her album is being promoted that way and she’s on track to sell over a million albums in the first week and in this climate and in this industry right now that’s really unheard of.

AW: And you know all the promotion and publicity in the world would not matter were she not talented and were she not putting out a good product. She might have a flash in the pan thing, but this album is good.

AP: It’s a great album. Every single that you hear you say ‘this is a hit’, ‘this is a hit’. And companies are using these songs to showcase their own products and what that’s saying is ‘we believe in Gaga. We believe in this message’. And so it really elevates both of them. You know because there is this synergy between them and  I think that that is the new way for music. If you talk to music industry insiders they’ve been saying for the past few years ‘we have lost a third of our value since 2003. How are we going to make up for it?’ And I think this is it. It’s the merging of companies with art.

AW: Yeah. Well I don’t think it will work for everyone but it sure does work for GaGa.

AP: Sure it will I mean she is really….

AW: – Limitless ..

AP: I mean for the rest of our lives we’re going to be watching GaGa – like we watched Madonna.

AW: Yeah. Very true. I absolutely agree with you. Amy Palmer, make it a great weekend. Have fun.

AP: You too Alex…

And so there you have it.

If you were thinking that the problem with popular music was something to do with it being more commercialized than ever before, and as a result being more formulaic and homogenized than ever before, with plummeting sales reflecting this fact and necessitating the increasing use of aggressive marketing, gimmicks, shock factor and manufactured hype to generate interest, which in turn only creates a further downward spiral of dumbing down, devaluing and ultimately the decoupling of the ‘music’ part from pop music …… leaving just ‘pop’ (hype, fashion, marketing, advertising, gossip, celebrity) – then you are obviously quite mistaken.

The mainstream media ‘truth’ of the situation is actually the complete opposite – that music today is AMAZING and all those people who complain about music all sounding the same now and being totally rubbish are wrong. And those plummeting sales figures have nothing to do with the stifling and homogenizing effects of a music industry which cares only for quick profits and doesn’t even care remotely about actual music any more. It is all just down to a lack of proper marketing and strategic product partnerships!

And all those people who think now might be a good time for both artists and music lovers (AKA consumers) to distance themselves from the more corporate side of the industry in order to save music are in fact misguided. So what if we all have the internet now? Quite clearly the best thing for popular music (and youth culture in general) is for popular music to actually get even more involved with profit orientated corporations and mass media in order to form more symbiotic relationships of mutual benefit……  using the word ‘mutual’ here to mean you’re all hopeless, dumbed down, consumer slave, celebrity enchanted idiots, of course.

Look, just forget about music as having anything to do with ‘creative artistry’ OK? Marketing, branding and advertising are the new creative arts! Oooh La La!

Cynical corporate advertising/ branding / marketing defines the new vibrant youth culture. And you will love it because we will advertise the fact that you love it – and you will believe that you do. GaGa!

Mass media / multi media advertising and marketing with an almost totally monopolized media and entertainment industry is the new consumer  power. And no one in these heavily monopolized and integrated industries is ever going to contradict this statement. Ra Ra Ah Ah Ah!

War is the new peace.

Freedom is the new slavery.

Conformity is the new uniqueness.

Selling out is the new rebellion.


Little monsters.


Surrender! We Have Your Children Surrounded…

… your daughters belong to us now.